Online classes, live | Profound understandings | Powerful performance outcomes
A BRILLIANT NEW & UNIQUELY PRACTICAL ACTING TECHNIQUE
The Rehearsal Room's lessons have left a big impact on my actor's brain. I have found that it seamlessly translates through multiple styles; I have used it for screen work, straight theatre work and now musical theatre work, all with great success. - KALA GARE
ACTING REVOLUTION
Available NOW from Amazon
Clearly explained acting processes that are easy to understand and quick to apply.
Ground-breaking techniques you will use with confidence.
Techniques that avoid the common audition traps
Gain a deep understanding of how and why acting process works
Fix the problems and fill the gaps other acting processes have left you to deal with.
"Acting Revolution" is available as a Paperback in colour, a Paperback in B&W or as an eBook (Kindle)
Colour Paperback
with links to 19 videos
$49.94 - go to Amazon.
B & W Paperback
the content is exactly the same $29.45 - go to Amazon
ARE YOUR AUDITIONS HITTING THE TARGET?
THESE CLEAR and SIMPLE AUSTRALIAN TECHNIQUES ARE SORTING OUT PROBLEMS FOR ACTORS AROUND THE WORLD
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I've discovered that these techniques also work beautifully on a long-running, well-established, repetitive show because it gives me an incentive to think about what I want from my other actors every night. It provides a freshness to each show, allowing me to trial different methods to deliver my lines and intentions.
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Deidre Khoo - actor, singer
The Rocky Horror Show - Six (Anne Boleyn)
That create
It's a massive problem for any actor doing a self-test audition because they often only send one take.
If you are in that 70% group then the processes you are using in your preparation are letting you down.
A casting director with international experience believes certain types of scenes push the results to 95% of actors falling for the trap
Stop your self-test disaster
Find out how easy it is to fix
Knowledge is power
70% of actors make the same BIG mistake on their first run in the audition room.
CASTING DIRECTORS REVEAL THE STARTLING TRUTH
With certain scenes up to 95% actors fall into the trap
For most actors this is a huge problem in auditions
Without direction to fix the problem self tests suffer
Your natural talent is corrupted by a faulty choice
You aren't generally aware that you've made the mistake
knowledge is freedom
empower your choices
STOP WASTING YOUR FIRST RUN IN THE AUDITION ROOM
NOW YOU CAN AVOID THE 70% TRAP
IT IS A SIMPLE BLUEPRINT FOR SUCCESS
STANDOUT IN AUDITIONS
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The Rehearsal Room process was invaluable in teaching me really simple ways to help deliver story through performance.
Peter McTighe
The Pact - Executive Producer, Writer; A Discovery of Witches - Executive Producer, Writer; Dr Who - Writer; Wentworth - Writer; Glitch - Writer
"Wentworth" producer gives The Rehearsal Room the thumbs up.
Your actors all take direction really well. This plainly indicates they clearly understand what they are doing.
PINO AMENTA Director - Wentworth, The Dr Blake Mysteries, Packed to the Rafters
- GAIN PROFESSIONAL ACTING SKILLS QUICKLY - LEARN THE MOST POWERFUL LEVERS -
- DEFEAT THE CONFUSIONS OF TRADITIONAL TECHNIQUES -
ARE YOU CONFUSED BY YOUR UNIVERSITY ACTING TRAINING?
Your dream of being a working actor will be real again with these profoundly practical techniques.
Explanations that cut through the crap ... will explode the myths and ground your understanding.
Blast your confidence to amazing levels by being empowered with a brilliantly clear new acting process.
- A REVOLUTION IN ACTING PROCESS -
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I have completed 14 years of training including 3 years at L.A.M.D.A. in London, 2 years in Stella Adler technique in Los Angeles, and 1 year with Ivanna Chubbuck, plus much more. But after 12 months online at The Rehearsal Room I am booking great roles in high end projects, through top casting agents.
I understand it. It is simple and it works.
Crispian Belfrage - Obi-Wan Kenobi (Disney); Suburban Stories; Love in Zion National.
AKINA EDMONDS is not confused.
She applied her understanding of conversation structure to her audition for the role of Angelica. This clear choice eliminated any confusion - the result: ... she nailed it. For this audition Akina sang 'Satisfied', the 5-minute song that is the centerpiece of the first act of Hamilton.
Understanding the structure of a conversation is a key technique of The Rehearsal Room process. It applies equally effectively to dramatic dialogue scenes as it does to songs.
An article in Vogue reported Akina's success. One of the lucky few, Akina was offered her role after only three in-person meetings.
Congratulations, Akina.
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I received a great message from a casting director saying they always looked forward to my self tests because they never knew what they were going to get with the character I created. Auditioning used to be nerve wracking. Now, it's a chance to play with creating something unique and that has led to booking bigger and better roles.
Anthony Sharpe - Black Water: Abyss; Miss Fisher's Murder Mysteries; Black Snow; Bay of Fires (Creative Soul Management)
HOW TO EXCEL IN AN AUDITION
The most relaxed and confident actor is the one who gets the gig.
How confident are you in the audition room? Are you relaxed?
Too much planning, as well as trying too hard to be good are death to any audition.
DOWNLOAD THE PDF - "How to Succeed Where 70% Of Actors Fail In Auditions"
CUT THROUGH THE CRAP - ELIMINATE THE CONFUSIONS - EMPOWER YOUR NATURAL SKILLS
Developed and refined over 30 years it takes you from your first reading of the screenplay to your final performance.
MEASURABLE OUTCOMES
This revolutionary approach is so clear and practical that you can measure your progress.
Each of the four levels has a certificate that confirms your skill level.
Actors can measure their own progress of -
# knowledge
# performance outcomes
# acting skill.
Simple oral tests confirm each actors growing understanding. No longer is the knowledge base vague and full of evocative impractical half-truths. This theory is specific. Actors can see it working. It isn't an academic course it's a common sense hands on practical one.
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I graduated from one of New York’s top acting schools, I listened to international gurus, they made no sense, but you do. Having signed up for the course – nothing disappoints me. Everything is clear, specific and practical. It works!
Thank you!”
Alec Hartnell
100% Money-Back Guarantee
if you are not learning new powerfully effective skills by the end of week five - no questions asked.
WHY THE WEEK FIVE LIMIT? By week five you will have received so many mind blowing techniques you will be wondering why you didn't have to pay more. If that is not the case, I'll happily give a total refund of ALL money paid at that point.
If on the other hand if you feel the value is so great, by week five, that you want to pay more, we can discuss that at the time. 🙂
THREE FLEXIBLE PAYMENT OPTIONS
View Classes
Classes to suit every actor. From those who are just starting out, right through to master class workshops for experienced and working actors.
Need A Self Tape?
Have an important audition coming up that needs to be self taped? Don't risk not putting your best work forward. We can shoot, direct, and encode your video so it's ready to go to the casting director.
Latest News
Stay up to date with the latest news from The Rehearsal Room. Find out about new workshops and see what our acting alumni are up to. Stay abreast of the latest industry news too!
No other technique has such a completely balanced approach to the actor’s craft.
There are many acting processes. The Rehearsal Room acting process takes the BEST bits from them all and puts them together in a very usable package. It will change your view of acting forever.
Actors Center in New York … were very effusive about our monologue. I used the take where you pushed me to go further with the changes which I said at the time felt ‘wrong’! Director knew best.
Kat StewartOffspring, Jack Irish, Dead Point, Mr & Mrs Murder, Tangle, Underbelly
I have observed leading teacher/directors in the US and UK, and Richard shares with them that facility to guide actors through the guff to the heart of the scene.
David PatersonChopper, The Curious Case of Benjamin Button, Saving Mr. Banks, Frost Nixon
I was able to quickly overcome my long held misconceptions about what acting is and was ushered into a place of freedom, spontaneity and connection with the scene.
Glenn QuinnJersey Boys, Mama Mia, Spamelot
“As an actor you need to take risks, to push boundaries, to make great leaps of faith, to know when to trust others, and most importantly to know when to trust yourself.”