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PERFORMANCE
PERSPECTIVES
"HOBSON'S CHOICE"
CAROLINE LLOYD -
Maggie
Q:
When did you decide you were an actor?
Caroline:
I think it was when I was about 9. My very first part was the role
of “Yefim”, an old man in a Russian play called The Fire Maid,
a musical. I was in third grade and I had a wonderful teacher who put
on a play just for her class. I was extremely disappointed because I didn’t
get the role of the actual Fire Maid. I couldn’t sing high enough
so I got the role of Yefim, the grandfather, but I did get a solo and
I distinctly remember singing alone on stage, with the attention of the
audience directed completely on me. Quite intoxicating.
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CAROLINE
& PETER McTIGHE in rehearsal for 'Hobson's Choice'. |
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Q:
Where did the acting aspirations go from there?
Caroline:
Well from there I was in every musical and play that came along.
In high school I did a couple of plays, then when I came to Melbourne
we had House Drama, which was a fantastic opportunity, I got very
involved in that, did plays in 5th and 6th form. Then in 6th form
as a result of all the career counseling that was offered, I wrote
to NIDA and VCA and said, can I audition, and they both wrote back,
(and I still have the letters!) saying you’re too young, you
need to go to university or do some other job then reapply. So I
got a bit serious about that and went to Medical School.
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Q:
Now you’re a doctor.
Caroline:
Now I’m a doctor. Yep.
Q:
How does being a doctor and being an actor work for you?
Caroline:
Currently, very well actually! During my uni years I did about one play
per year, which was the maximum I could do and still pass. Then I took
a year off and during that year I worked three jobs, did six plays and
stage managed another then traveled for a couple of months. People always
wanted to talk about the traveling, and yeah it was great but I wish I’d
stayed in Melbourne and just done more plays! That was what really thrilled
me.
So
currently I’m working part time as a doctor and it works well
to pay the bills – it is a great job, satisfying, and I really
do enjoy it, but I’d drop it in an instant if I could work
full time as an actor! Any opportunities that come along I just
jump on, although I have to be a little more circumspect now with
what I choose because of the kids, I do things now that really interest
me, that really tickle my fancy, rather than just doing anything
to get myself on stage.
And
of course there is television, which is not so time consuming as
doing a play. I have a semi-regular role on Neighbours (as a doctor,
actually) and reasonably regularly a guest role will come up on
another TV series. Over the years I have had guest roles on most
of the ongoing series – Stingers, Blue Heelers and so on.
Q:
What training did you do to acquire acting skills?
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Caroline:
That’s a question that really bothered me for quite some time, but
I think I’m quite reconciled to it now. I never got back to NIDA
or VCA, once I finished studying at uni I was at a time in my life where
I was sick of studying and most of my friends were out earning money and
I wanted to do that. Since then it has never quite seemed the right time.
So since then I have had a lot of regrets about not studying full time
to be an actor and I would still thoroughly recommend that to anyone who
was considering acting as a career. But along the way I have done lots
of classes and courses and I have received some really excellent training
and I think that the variety of courses that I have done has actually
given me more skills than just going to one school. And perhaps my attitude
to learning is to learn from everything I do, rather than having come
out of acting school with one set way of approaching a role.
Q:
How do you go about getting work as an actor?
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CAROLINE
in rehearsal with IAN SMITH ('Harold from Neighbours'),
IAN ROONEY (centre) &
director Richard Sarell (right) |
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Caroline:
Great question! To get work you have to look all over the place.
To start out, there is absolutely nothing wrong with university
drama and community theatre. It gives you experience and sometimes
informs you about whether it is something you do actually want to
do. I’ve done both, and both were excellent experiences. After
that, training is essential. You need to do classes.
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The
Rehearsal Room is a fantastic place to start as they have a range
from beginners to masterclasses and equip you with skills or methods
to build on. I still go back to Richard when I need some audition
coaching or want to practice my skills. Also with classes you do
meet other people and make contacts, think up projects to do together
and create your own work. Which is a huge learning curve.
Q:
So you have done projects yourself?
Caroline:
Yes, I wrote a play a few years ago from my own experience as a doctor
doing some sexual health work with prostitutes. I heard so many stories
that I felt could not be left untold, so I merged some of the characters
I had met and wrote a monologue for myself, teamed it with two other
monologues, asked Richard to direct it and we went from there. It
was a fantastic experience in producing it myself and learning a bit
more about the production side of this business. The empowerment comes
from knowing that you can create your own work and that its successful
and its fun, you learn heaps and you entertain people and you get
that rush from being on stage and all as a result of your own hard
work. |
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Q:
So why does Hobsons Choice interest you?
Caroline:
I love period dramas – I think that was actually part of what made
me love acting to start with – we used to watch period dramas on
the ABC when I was young and I just fell in love with the costumes! Very
much a girl thing…
So I love the period that Hobson’s Choice is set in, and I love
my role. It’s actually a very feminist role, about a woman taking
control of her life and making decisions and acting on them. Her destiny
is in her hands and she sees this very clearly. Despite all the societal
pressures and the family pressures to stay where she is serving her father
and serving her family, she takes some pretty strong, drastic action towards
her own future. She’s a remarkable character for her time.
Copyright © The Rehearsal Room 2008.
All rights Reserved. www.rehearsalroom.com
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